When I drew the accompanying artwork (pencil on paper, about 19" x 28"), I had been thinking about how nature always attempts to take back what man and time and progress have altered. As always, I start by making a mark on the paper, usually somewhere left of center, and make the magical switch from the logical left brain to the subconscious right. When drawing this way, I never begin by thinking about what I am drawing. It is only after the drawing is finished that I can back off and view it for what it is. Frequently, I can see the influence of something I have been pondering or something I have read. Studying a lot of art history helps to inform my drawings, I am sure. The bottom line, however, is the interpretation of its subsequent viewers. Once the artist creates the art and shows it to another person, the intention of the artist no longer has much importance (unless the artist is a master and studied intensively by art historians and critics).
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